When Lukas Frosch and Jan Schweizer walked on stage, they brought more than their new songs: a surprise full band, a vinyl christened with water guns, and an evening that turned Werk21’s small cellar room into a living room.
Almost a decade after selling Mainland Music to Live Nation, Martin Schrader is back in the concert business. With REDDA music, the agency he founded in 1997, and new partner Maisch Gosteli, he’s promising everything from the Hafenkneipe to the arena.
Some songs want to be analysed. Others demand complete surrender. Egopusher’s “Pearl” is cinematic dance music that dissolves time, space, and the listener.
Your exhaustion isn’t a personal failure; it’s not a bug but a feature of the system. In this Ghost Note, Odd Beholder drags the pressure to function out of the most private sphere and into the open.
“Only the Weak Prey on the Kind” by Swedish duo Morabeza Tobacco references a famous bassline, imposing a sense of danger, a threat emerging from blue twilight, annoucing itself with crystalline guitars.
“Sedimento” by Microhm & Imaabs is a mind-bending song that feels like a window into a culture, not a single piece of art. To understand why this particular song haunts me, we need to examine the fabric beneath the sound.
